& Categories Filmmaker of the Month Movies December 31, 2020 “The Curious Case of Benjamin Button” is a curious thing indeed David Fincher's syrupy historical fantasy is as sumptuously filmed as it is shallowly written.
D Categories Filmmaker of the Month Movies December 12, 2020 Descending into the “Se7en”th circle of hell David Fincher's 1995 serial killer thriller elevates the police procedural into a grimy fable about mankind's fall from grace.
& Categories Anniversaries Movies September 22, 2020 “Se7en” can still keep you up at night, even after 25 years David Fincher's bleak, gruesome murder mystery packed a punch audiences have never forgotten.
T Categories Columns Features Movies P.S.H. I Love You August 3, 2020 The “Moneyball” we got delivers a baseball movie for Ben Shapiro Bennett Miller's adaptation of Michael Lewis' book is an overlong, overcrowded sports biopic partially redeemed by its cast.
A Categories Awards Columns News January 13, 2020 A Quick Guide to the 2020 Oscar Nominations Who should win, who will win, and who was left out.
G Categories Movies November 11, 2019 Goodbye to the Light: “Interview With the Vampire” at 25 Remembering when Tom Cruise defied audience expectations in a campy, sumptuous adaptation of Anne Rice's vampire soap opera.
& Categories Movies October 15, 2019 “Fight Club”, “Fleabag” and The Battle Against Toxicity A look back at the movie that inadvertently launched a toxic movement & the TV series that better understood postmodern pain.
B Categories Box Office Report Columns Movies September 23, 2019 Box Office Report: Gird Your Monocles, “Downton Abbey” Tops the Box Office Waistcoats and pageantry rule the day at the box office, while Brad Pitt's cerebral sci-fi drama Ad Astra puts on a respectable showing.
A Categories Movies September 20, 2019 Ad Astra Review: Is There Life Out There? Brad Pitt seeks the divine amongst the stars in James Gray's flawed but mesmerizing space epic.
& Categories Features Filmmaker of the Month Movies July 27, 2019 “Inglourious Basterds” Lets Tarantino Turn the Propaganda Back on his Audience Quentin Tarantino's blood-soaked WWII film lets him turn the camera around on the audience and interrogate his own violent oeuvre.
