Netflix’s Australian zombie drama sports some fascinating twists on the undead genre, and drips with as much atmosphere as it does infected blood. This piece..
Chicago Critics Film Festival 2018: Capsule Reviews (Part 2)
Part two of our coverage of the Chicago Critics Film Festival features reviews for films about unwitting superheroes and a documentary about a girl’s tragic..
Fags in the Fast Lane Review: A Madcap Race to Campy Bad Taste
This over-the-top throwback to exploitation and queer films from the 60s and 70s revels in its tastelessness, delivering an edgy yet affectionate ode to its..
Anon Review: Netflix’s Dystopian Thriller Leans Too Hard on Tech
Netflix’s latest original film (courtesy of Gattaca’s Andrew Niccol) gets bogged down in its near-future technology, and forgets to stick the landing. This piece was..
Avengers: Infinity War Review: Marvel’s Ambitious, Risky Magnum Opus
Marvel’s culmination of their decade-long cinematic experiment stays afloat by sheer virtue of goodwill and charisma, and provides more than enough surprises to keep the..
I Feel Pretty Review: Well-Intentioned, But Feels Pretty Underwhelming
Amy Schumer’s comedy about the power of confidence mixes its messages about body image, but provides some laughs nonetheless. This piece was originally posted on..
Begin typing your search above and press return to search. Press Esc to cancel.
