Jack Reynor keeps his brother and his big-ass gun safe in this tepid late-August shoot-em-up, its characters as mild as its ambitions. This piece was originally posted on Alcohollywood Detroit has had a bit of a film renaissance in the 2010s, so much so that the city could be classified as its own sub-genre itself. ... Film Review: Kin Misfires With Egregious Sci-fi Sequel Baiting
Gaspar Noe’s kaleidoscopic Cannes favorite gets a new trailer and poster promising all the Satanic dance mayhem the French provocateur can muster. This piece was originally posted on Alcohollywood Gaspar Noé is no stranger to deeply weird, bold, provocative films – Enter the Void and Irreversible are practically the poster children for confrontational, arguably sexist European New Vulgar cinema. His ... The Trailer for Gaspar Noé’s ‘Climax’ Does the Danse Macabre: Watch
Crystal Moselle’s narrative debut brings her documentary sensibilities to a fun, heartfelt story featuring the real members of Long Island’s most badass boarders. This piece was originally posted on Alcohollywood Skate Kitchen offers something that’s been sorely missing from the world of coming-of-age films: a story that tells self-discovery not as a hero’s tale with ... Skate Kitchen Is a Sun-Baked Celebration of Realistic Adolescence
The shark schlock comes at you hard, fast, and fun, as Jason Statham battles giant sharks with an international cast in the Deep Blue Sea remake you never knew you needed. This piece was originally posted on Alcohollywood Why release The Meg two entire weeks after Shark Week is over? It’s a perfect fit – ... The Meg is the Goofiest, Cheesiest, Most Sharktastic Fin-tertainment of the Summer
Susanna Nicchiarelli’s biopic of the German singer and artist is as impermeable as it is impermanent – those seeking a window into the artist’s life should look elsewhere. This piece was originally posted on Alcohollywood Some may applaud Nico, 1988 for being a film with zero fucks to give. Much like its central subject, and ... Ponderous and Disconnected, Nico, 1988 Will Not Let You Be its Mirror
The web-footage sequel to the first Unfriended sees the series move in more believably conventional directions, eschewing supernatural scares for more haunting domestic terrors. This piece was originally posted on Alcohollywood We live in an age of overwhelming technology. Most of us spend most of day in the digital world, our computers becoming individual microcosms ... Unfriended: Dark Web Elevates Its Premise to Scarier Screen-Based Dimensions
Hausu’s Nobuhiko Obayashi starts wrapping up his 60-year career in filmmaking with a deeply weird, compellingly stream-of-consciousness wartime drama. This piece was originally posted on Alcohollywood Nobuhiko Obayashi is one of Japan’s veteran suppliers of the weird and fantastical – despite a career spanning nearly forty films, his most famous international export is 1977’s kaleidoscopic, ... Fantasia 2018: Hanagatami Review – The Director of Hausu Confuses and Delights in His Final Epic
While the Rock maintains his larger-than-life presence, this taller Die Hard knockoff buckles under the weight of its sizeable lack of humor. This piece was originally posted on Alcohollywood Ever since my childhood days of watching professional wrestling, I’ve wanted Dwayne “The Rock” Johnson to succeed. Whether it was in the ring (where he would ... Skyscraper Review: The Rock Cooks Up Another Underdone Summer Thriller
This piece was originally posted on Alcohollywood If you want festivals full of soulful contemplation of the human condition, and solemn documentaries about Serious Issues, Cannes and Sundance have you covered. Want to see blood, gore, sleaze, and Nicolas Cage getting in a chainsaw fight? You go to Fantasia. Fantasia is a genre film festival ... Four Crazy Horror Flicks We Want to See at Fantasia
Boots Riley’s wild feature film debut throws racial politics, consumerism, and magical realism in a blender, making for a comedy that’s as unpredictable as it is hilarious. This piece was originally posted on Alcohollywood Capitalism is a hell of a drug – it lulls you in with the promise of wealth and success, and all ... Sorry to Bother You Review: Boots Riley Takes On Consumerism, Race in Scorchingly Funny Debut
Netflix’s latest thriller about a young girl trapped in a smart house is pure, unapologetic schlock, with workmanlike performances and plot holes you could throw a supercomputer through. This piece was originally posted on Alcohollywood Tau, Netflix’s latest original fim, tells the story of Julia (Maika Monroe), a street-smart gal who uses her wiles to steal ... TAU Review: Netflix’s Perplexing Smart House Thriller
Marvel’s first placeholder till the next Infinity War is a more assured caper comedy than the first Ant-Man, but it’s almost too lightweight to make a real impression. This piece was originally posted on Alcohollywood When the credits rolled for Avengers: Infinity War, we all walked out of the theater thinking the same thing: We ... Ant-Man and the Wasp Review: Marvel’s Latest Shrinks the Stakes
Director X’s slick, hip-hop fueled remake of the blaxploitation classic trades in 70s crime for music video slickness, and is none the better for it. This piece was originally posted on Alcohollywood Beyond its artistic and entertainment value, a film is also a snapshot of the era in which it was made. In film, we ... SuperFly Review: A Gritty Remake That’s Far From Groovy
Drew Pearce’s pulpy near-future potboiler about a futuristic hotel/hospital for bad guys lets its stacked cast have fun amongst some shaky plotting. This piece was originally posted on Alcohollywood Grungy, retro sci-fi seems to be making a comeback the last few years – cyberpunk potboilers whose scripts wouldn’t be out of place in a direct-to-video ... Hotel Artemis Review: A Grungy Sci-Fi Shoot-’em-Up With a Five-Star Staff
A24 continues its mean streak of unrelentingly interesting horror films, merging The Exorcist, The Witch and The Shining into pure cinematic nightmare fuel. This piece was originally posted at Alcohollywood From its opening frames, Hereditary digs its claws into you and doesn’t let go. A long, slow tracking shot pans across the workroom of Annie ... Hereditary Review: A24 Keeps Haunting, Existential Horror in the Family
Gary Ross’ gender-swapped revamp of the slick heist franchise doesn’t offer its female leads enough worthwhile things to do, despite the cast’s pedigree. This piece was originally posted on Alcohollywood Certain movies bring out a strong reaction in me not just because I happen to disagree with their values, but because they claim to represent ... Ocean’s 8 Review: Female-Forward Heist Antics Don’t Cover A Lack of Depth
This piece was originally posted on Alcohollywood Alcohollywood’s spinoff mini-cast On Tap returns! Every so often, we’ll be providing you with exclusive interviews, reviews and festival coverage alongside the regular podcast. Hope you enjoy! To kick off our (semi-) inaugural installment, Clint reviews Leigh Whannell’s upcoming sci-fi thriller Upgrade. After losing his wife and the use ... INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller
Cobbled from footage of a pre-Grey Gardens attempt to tell the tale of Big Edie and Little Edie, this documentary offers scintillating new footage of the Beales, but offers little new insight. This piece was originally posted on Alcohollywood Few things fire the imagination of a cinephiles quite like hearing that a film you love ... That Summer Review: Illuminating New Areas of Grey Gardens
It’s messy and more than a little overlong, but Disney’s latest Star Wars prequel manages to coast by on just enough charm to work. This piece was originally posted on Alcohollywood In Disney’s grand experiment to give us one or two new Star Wars movies every year until we die or the universe expires from ... Solo: A Star Wars Story Review: Never Tell Disney the Odds
Netflix’s Australian zombie drama sports some fascinating twists on the undead genre, and drips with as much atmosphere as it does infected blood. This piece was originally posted on Alcohollywood Zombie movies can often be judged by the balance they strike between the expected rules of a well-traveled world and the twists each new film ... Cargo Review: Netflix’s Sprawling, Intimate Zombie Travelogue
The Merc With a Mouth is back in a sequel with more slicing, dicing and R-rated quips – but it’s only a slight improvement over the sophomoric original. This piece was originally posted on Alcohollywood While Marvel Studios seems to have solved the equation for how to make great (or, at their worst, pretty passable) ... Deadpool 2 Review: Ryan Reynolds Returns for More Quips, Gore and Gags