Benedict Andrews’ retelling of FBI’s pursuit of the French New Wave star under the Hoover administration relies far too heavily on broad stokes.
Edson Oda’s debut feature about a group of souls looking to be born into the real world is a great premise with pretty good execution.
Todd Phillips’ seedy, 3edgy5me imagining of the Clown Prince of Crime is as artfully made as it is disturbingly retrograde.
The Tarell Alvin McRaney-penned basketball drama highlights the commodification of young black men both on and off the court.
New thrillers from Jennifer Kent and Babak Anvari highlight Day 3 of our Sundance coverage.
The Merc With a Mouth is back in a sequel with more slicing, dicing and R-rated quips – […]