January’s Criterion offerings include a box set of Bunuel’s final films, Martin Scorsese on Bob Dylan, and Bing Liu’s astonishing doc debut.
An under-appreciated work from the filmmaker and a career rebound, Martin Scorsese’s screwball comedy remains one of a kind.
One of Spike Lee’s most underrated films depicts a New York in which the more things change, the more racism stays the same.
Who should win, who will win, and who was left out.
From Ad Astra to Us, we celebrate the cream of the cinematic crop in 2019.
There’s a lot more nuance to be found in the discourse surrounding Marvel movies and arthouse cinema.
Martin Scorsese turned his camera to the grotesque excesses of the ultra-rich in The Wolf of Wall Street.
Martin Scorsese shone a light on The Rolling Stones for this rollicking concert film, two cultural titans at the top of their game.
Martin Scorsese followed up The Departed with Shutter Island, a claustrophobic psychological thriller about the madness of loss.
Scorsese recovered from the brutal conditions of Gangs of New York with an intimate, tragic portrait of the foibles of genius.
Martin Scorsese’s hip, vibrant concert film The Last Waltz captures the ephemerality of The Band and its influence on the rock ‘n roll stage.
Martin Scorsese’s 2002 historical drama is big, brassy and full of great performances, but its runtime and tone leave it unfocused.
Martin Scorsese’s scintillating period romance is a Victorian treatise on the sufficating gulf between desire and decorum.
Martin Scorsese’s underrated gangster drama Casino depicts Sin City as a place where dreams & nightmares are one, & no heroes are to be found.
An analysis of Goodfellas’ cinema redefining single take tracking shot.
A look at Martin Scorsese’s misguided musical, and the underestimation of camp.
It’s Newman and Cruise’s picture first, but Scorsese’s work on it is still a pleasure.
Martin Scorsese’s black comedy about one hellish night offers a trapped in amber portrait of 80s New York […]