Adam Elliot’s claymation offering was Philip Seymour Hoffman’s only animated film, but it’s as thorough as his other efforts.
Marcus Nispel’s confused, uninspired revamp of the franchise stresses the importance of not touching Jason’s stash of sticky-icky.
Spike Lee’s filmed version of the Broadway rock musical captures the immediacy of the show in his own imitable style.
Despite getting off on the wrong foot, Sam Mendes’s oft-forgotten dramedy remains a salient look at 2000s anxieties as often seen onscreen.
We revisit the underappreciated humanism of James Cameron’s effects-driven blockbuster a decade after its release.
Quentin Tarantino’s blood-soaked WWII film lets him turn the camera around on the audience and interrogate his own violent oeuvre.
Adama? Roslin? Starbuck? Baltar? Four TV critics hash out which character from Ronald D. Moore’s political sci-fi drama […]