Carter
Perhaps out of fear that he will miss 100 percent of the shots he doesn’t take, Carter director Jung Byung-gil has compiled 100 shots into a single take—proverbially speaking. In the stuntman-turned-filmmaker’s latest—his first for Netflix and to feature English—every setpiece links into another; you can count on the passenger plane shootout to link up with the pig truck chase later on, and so it goes. As long as Jung scores each of these opportunities, it doesn’t matter if the bridging between moments will be smooth or rocky. Continue Reading →