Jared Hess directs an uneven documentary on forgeries & a gruesome series of bombings committed within the Mormon community.
Amy Poehler directs a smart, insightful comedy about teen girls learning to embrace their power.
Danis Goulet’s sci-fi adventure intriguingly explores the systematic eradication of indigenous peoples through a Hunger Games lens, but falters when it leans too close to the conventions of that already-creaky genre.
The end (for now) of Wanda and Vision’s story reflects our own feelings of joy stolen and abundant pain the previous year has wrought.
Xavier Beauvois’ procedural offers intriguing day-in-the-life police work, despite an abrupt late-film shift into melodrama.
The avant-garde musician talks about his first foray into the world of feature film scoring, and the experimental, yearning score that followed.
Quentin Dupeiux’s convoluted dark comedy is both perplexing and entertaining.
While the script is almost entirely a retread of the original, an engaged and enthusiastic cast makes it worthwhile.
The latest trip to Bikini Bottom soaks the sea in garish CG animation and a creaky level of sentiment, but plenty of the show’s surreal delights remain.
Armie Hammer, Evangeline Lilly, Gary Oldman, and others tackle different facets of the drug trade in an enjoyable, if flawed, procedural.
Brea Grant writes and stars in a mostly-successful thriller about a woman trying to hold herself together as her world falls apart.
An anime spinoff of the cult hit will satisfy all your robot v. kaiju fighting needs.
Natalie Morales directs herself and Mark Duplass in a tender look at the bonds we form to save ourselves in a hard world.
The sci-fi thriller takes no risks, and tries absolutely nothing you haven’t seen before.
Though the episodes can get samey, Last Chance U: Basketball works well enough to charm even basketball novices.
Céline Sciamma’s followup to Portrait of a Lady on Fire is a graceful tale of rediscovered childhood.
Dasha Nekrasova leaps out of the gate with an audacious, out-there horror debut as creepy as it is transgressive.
Dan Stevens stars as a seductive but malfunctioning robot companion in Maria Schrader’s refreshing, tender exploration of longing.