NBC’s newest musical sitcom uses bundles of energy to wallpaper over the cracks in its premise.
Kristen Stewart battles a sinking sealab and aquatic beasties in this drab, but workable deep-sea thriller.
Tiffany Haddish, Rose Byrne and Salma Hayek glow up an otherwise-dire January comedy about fashion and friendship.
PBS’ adaptation of Jane Austen’s final, unfinished novel is a pretty but mostly overstuffed soap opera.
Comedian turned actress Awkwafina is stoned, horny, & transnational in a new series on Comedy Central.
Sam Mendes’ WWI epic is an astounding technical achievement, but loses its soul on the way to razzle-dazzle.
Apollo 11 composer Matt Morton discusses how he used period-appropriate synthesizers to craft a tense score to mankind’s first walk on the moon.
Destin Daniel Cretton’s legal drama has its moments of impact and an impressive cast, but it’s far too lopsided to stick the landing.
Paolo Sorrentino’s lush, campy papal drama returns for a second season, and throws John Malkovich into the lurid mix.
Falling stars, grudges & impressive women abound over the first box office weekend of 2020.
A spotty first half turns into a thrilling, crackerjack conclusion, and a startling set up for the new season.
We ring in 2020 by celebrating the birthday of independent cinema’s rockabilly godfather.
“Sherlock’s” Mark Gatiss & Steven Moffat team up for an adaptation of the horror classic that starts out strong & falls down hard.
The acclaimed Canadian sitcom goes out with a bang in an uproarious, heartfelt final season.
Nicolas Pesce’s 2020 extension of the Japanese horror franchise is maybe its most leaden, unscary entry yet.
The charming Canadian adaptation of L.M. Montgomery’s Anne of Green Gables comes to a lovely if untimely end.
Karim Aïnouz’s latest is an ambitious adaptation of two women separated by the patriarchy and the loneliness of family.
The tear-jerking ’90s family drama gets a diverse, modern update, with a Latinx family struggling with deportation, DACA, and more.