Netflix brings back the classic Nick cartoon twenty years later for a one-off special filled with heart and surprisingly complicated musings on the passage of time.
Thirty years ago, The Abyss saw James Cameron pivot away from masculine action pictures into more humanist filmmaking.
Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss can’t quite spice up the underdone intrigue of this ’70s-set comic book adaptation.
The composers of Amazon’s new docuseries talk about Meek Mill, their contrasting styles, and the challenges of documentary scoring.
Liza’s secrets are laid out for the world to see thanks to Charles’ vengeful ex-wife.
As the Gorgeous Ladies grow apart, the show itself is more confident and sure-footed than ever.
A late-summer adaptation of the Alvin Schwartz stories turns out to be one of the year’s biggest surprises in horror.
Michael Barnett’s doc is an inspiring, eye-opening look at the complicated, often painful world of transgender high school athletes.
Haley Joel Osment’s gripping performance elevated M. Night Shyamalan’s second feature to a horror masterpiece.
Richard Linklater’s directorial debut about colorful weirdos introduced both a new word into the American vernacular & a talent to be reckoned with.
Michael Winterbottom’s loving tribute to the Manchester music scene still maintains its quirky-cool vibe.
Nickelodeon’s teenage live-action reboot of the beloved children’s show brings a strong central performance and oodles of adventure.
Hobbs & Shaw raced into theaters last weekend and racked up a respectable box office showing, while The Farewell continued its upward trajectory.
Jennifer Kent’s unsparing revenge drama is a grueling but powerful lesson in history repeating itself.
AMC’s droll comic book adaptation saddles up for an apocalyptic final season whose juvenile antics bring diminishing returns.
Sameh Zoabi’s politically-charged satire of Palestinian soap operas works better as farce than social polemic.
Despite its stellar cast, including Kaitlyn Dever and Olivia Colman, this indie cult drama slithers away from itself a bit too often.
The latest adaptation of a Roberto Saviano novel is a familiar, but inventive crime drama.