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In 2019, the Walt Disney Company released Avengers: Endgame, the culmination of an 11-year-long project of crossovers, callbacks, foreshadowing, and franchising. The result was, for a time, the single highest-grossing film in cinematic history. This success seemed to mark the undisputed coronation of the superhero movie as the defining film genre of the modern era. But just a few months earlier, to quieter but not unsuccessful fanfare, another superhero film was released, one whose foundations were laid long before the Marvel Cinematic Universe's were, a film that was, in its way, an epic farewell to a cinematic universe. M. Night Shyamalan's Glass is the third and final film of his "Eastrail 177 Trilogy," a trilogy of supernatural thrillers that rely not on pyrotechnics and action but on sincere, intimate moments of character. Continue Reading →