Boys With Toys
A project that director/co-writer Barry Levinson had been working on for over a decade before it emerged in theaters in 1992—at one point, it had been planned as his directorial debut before he turned to Diner (1982) instead—Toys offered viewers a mélange of holiday sentiment, strident anti-war satire and the sometimes-unholy combination of schmaltz and schtick that marked the typical Robin Williams performance of the time, all produced on a budget high enough to outstrip the GNP of actual countries. There's no reason on Earth to think that such a bizarre combination would have worked, and Toys' eventual critical and commercial failure would seemingly confirm that it didn't. And yet, while I concede that the film as a whole is a mess—it is an undeniably intriguing mess with just enough moments of genuine brilliance to help get through the rougher and clumsier passages, of which there are more than a few. Continue Reading →