Frailty, thy name definitely ain’t “woman” in this feminist retelling of Hamlet.
Timothy Greenfield-Sanders lets Morrison’s genius speak for itself.
With his ninth film coming out this month, we look back on the indie titan and his deeply metatextual approach to cinema.
Last weekend saw poor performance for the latest Conjuring flick, in a summer of diminishing returns for franchise sequels.
The Wachowskis’ last theatrical film to date — a space opera with Channing Tatum as a roller-skating wolf man — is one of their most ambitiously corny efforts yet.
Jessie Buckley rocks the stage in a country-fied music drama that treads too-familiar territory outside its Scottish stage.
A look at three unforgettable portrayals of love & heartbreak to suit all your tearjerker needs.
It doesn’t reach the swinging heights of Homecoming, but Jon Watts’ follow-up gets Marvel’s Phase Four off to a charming enough start.
The Wachowskis’ most polarizing film offers an emotional payoff — if you’re willing to invest the time & attention.
Ari Aster’s followup to Hereditary is a sun-dappled nightmare that finds liberation amongst the flames.
Richard Curtis envisions a world without The Beatles, then promptly ignores it in favor of yet another treacly love story.
The ostensibly classy Conjuring series turns into a predictable haunted-house spookfest.
The Wachowskis’ kaleidoscopic 2008 adaptation of the clasic ’60s anime is as bright, bold and weird as the rest of their late-period output.
We speak to the star and director of the new indie comedy Being Frank about the difficulties in generating empathy within adultery.
Abel Ferrara eulogizes fellow scandalizer Pier Paolo Pasolini in a suitably grimy tone poem featuring Willem Dafoe.
Jim Gaffigan’s hangdog performance and an unexpectedly nuanced script elevate a stock comedy scenario into something genuinely thoughtful.
The Matrix Revolutions, the Wachowskis’ final film in the trilogy, is just as flawed as Reloaded, but carries heaps of visual and thematic weight.
Dennis Do’s lushly animated recounting of the Khmer Rouge takeover of Cambodia is striking but lacks much-needed specificity.