1 Best Movies To Watch After The Guru (2002)
Mean Girls
The Broadway adaptation defangs its best characters in a misguided effort to appeal to a new generation of viewers. Paramount’s new version of Tina Fey’s cult classic Mean Girls boasts a tagline many Millennials found downright offensive upon debut: “This ain’t your mother’s Mean Girls!” The movie, based on the Broadway musical adapted from the original 2004 film, makes it abundantly clear that it’s aimed directly at Gen Z from its very opening moments, which look like a vertical phone video straight out of TikTok. Fey, the writer of both versions of Mean Girls, hasn’t been without her fair share of controversies over the twenty years since the first film premiered. In a clear effort to avoid upsetting younger audience members who have grown up with more sensitive media, Fey kneecaps many of her own best jokes. The updated script is a wobbly attempt to satisfy fans of the original without offending newcomers. The set-ups where there used to be jokes still remain, but they’re empty husks strung together by mostly forgettable songs. Though not without its unique charms, the musical Mean Girls is glaringly unfunny. The music, written by Fey’s husband and frequent creative collaborator Jeff Richmond, does little to make up for the chasms where cutting punchlines have been removed. Richmond can write excellent, hilarious songs like the ones in 30 Rock and Girls5eva, but his compositions here are basic and feel uninspired. Most of the sincere songs revolve around bland messages about self-esteem that lack any insight into the actual emotional experiences of teenage girls. Emo outcast Janis ‘Imi’ike (Auli’i Cravalho, Moana), formerly a supporting character, gets what feels like four separate songs about the power of Being Yourself. Only “Sexy,” a playful number about Halloween costumes performed by ditzy beauty Karen Shetty (Avantika), stands out. Continue Reading →