3 Best TV Shows Similar to Necessary Roughness

Netflix’s new romance limited series offers a thoughtful, warm adaptation of the 2009 novel. The hook of author David Nicholls’ 2009 novel is irresistible. Readers catch up with two former classmates who are something more than friends but not quite lovers on the same day, July 19, every year from 1988 to 2008. It’s no wonder it has managed two adaptations in the 15 years since its release—first as a 2011 movie directed by Lone Scherfig from a script by Nicholls himself and now as a limited series created by Nicole Taylor, with only one Nicholls’ script among the fourteen episodes. Dexter Mayhew (Leo Woodall) is handsome, charismatic, and just rich enough not to worry about making a plan for his future. Emma Morley (Ambika Mod) is also quite attractive—although she can’t (or won’t) see it—and from a working-class background that makes her feel as though she can’t pursue her clear goal for the future: to become a writer. They travel in different circles, but on the night of graduation, they end up falling into her bed. While they kiss plenty, it never goes further, Emma preferring to chat despite her massive and evident crush on Dexter.  Continue Reading →

Netflix’s action-comedy is deadly short on both. There’s something undeniably attractive about the premise of Obliterated. A highly skilled team of soldiers, spies, bomb experts, and tech geniuses stop on nuclear bomb detonation in the heart of Las Vegas and fully celebrate their victory. And by fully celebrate, we mean FULLY. Drugs, alcohol, exotic animals, hundreds of guests, plenty of sex toys, and so on. Then they wake in the morning to find their mission wasn’t as successful as they thought, and now they have no choice but to try and save the day in various stages of loaded and hungover. Sadly, miles exist between premise and execution. Think the difference between visiting the Bellagio in Vegas and the Tropicana in Atlantic City. Then double it. Maybe triple it. Put it another way, Obliterated is bad. Very bad. Continue Reading →

At The Spool, generally, we try to keep the work front and center. We try to center the work, not ourselves. I say all of that here as a preface because I am both a therapist and a therapy client. I’m reviewing In Treatment as a fictional dramatic work, but I’m also honest enough to acknowledge that framing and guiding some of my opinions will be my own experiences and, while I hesitate to use the term, expertise. Continue Reading →