3 Best TV Shows Similar to Moonbase 3
Orphan Black: Echoes
It is perhaps unfair to compare a single 10-episode season of Orphan Black Echoes against its predecessor’s 50 episodes over five seasons run. After all, that much more real estate allows a show so much more time to explore and resolve its mythos satisfactorily. But if one stacks up Echoes’ season against the original’s debut, the newest member of the franchise still suffers by comparison. Created by Anna Fishko and taking place about 40 years after the events of Orphan Black, Orphan Black Echoes opens with an immediate hook. A woman (Krysten Ritter)—who we’ll eventually know as Lucy—awakens in a well-appointed living room. She has no memory of who she is, where she is, or how she got there. Dr. Kira Manning (Keeley Hawes)—the adult daughter of Sarah Manning (Tatiana Maslany), who is sadly only glimpsed in a photo—attempts to calm and remind Lucy of her past. It fails and the amnesiac has to be chemically restrained. Later, she manages to escape the room, only to discover that it is little more than a set built inside a massive warehouse. In 2052, the cloning process at the center of the original series may be illegal, but science has found a workaround, creating a different kind of copy called, colloquially, “printouts.” From there, the series follows Lucy’s attempts to discover her past and protect those she cares about. The quest sweeps up several others in its quake, including a teen, Jules Lee (Amanda Fix), who’s deeply connected to Lucy and Kira. Others pulled into the situation include Kira’s wife (Rya Kihlstedt), a seemingly altruistic billionaire, Paul Darrios (James Hiroyuki Liao), a shoot-first-ask-questions-later enforcer Tom (Reed Diamond), and a single father (Avan Jogia) and his tween daughter (Zariella Langford). Continue Reading →
Dark Matter
In reviewing Dark Matter, it feels fitting to follow the moral of the show’s story. While it is easy to get lost in forever puzzling over details, the far more useful—and rewarding—path is to take a step back and fully appreciate a thing. There are elements in creator/showrunner Blake Crouch’s adaptation of his own work that do not work, especially concerning pacing. And yet, by the time the credits roll on the final episode, one is largely left satisfied and, perhaps, a bit exhilarated. The temptation to dwell on each choice at the expense of the larger picture is something Jason Dessen (Joel Edgerton) knows well. But we’re already getting ahead of ourselves. Dark Matters begins with the Jason I’ll christen “our Jason” for clarity. Our Jason is a Physics professor living in Chicago with his wife Daniela (Jennifer Connelly), a former artist who now focuses more on the administrative and business sides of art, and their son Charlie (Oakes Fegley). One night, Jason meets up with his friend Ryan (Jimmi Simpson) to celebrate the latter’s academic success. The vibe is strained, with parties seemingly aware that Jason should’ve received the same award, if not over Ryan, then certainly before him. Continue Reading →
Star Trek: Discovery
The 1960s Star Trek show did not have the chance to do a true series finale. All of its successors did though, until now. From The Next Generation to Deep Space Nine to Voyager to Enterprise to Picard, every show had the opportunity to make a final statement and sum up the years of adventures in some fashion. Yet, despite being the primogenitor of the franchise, The Original Series just sort of ends, with the sense of the conveyor belt simply stopping, and its last output accidentally becoming an end, if not quite the end. And yet “Turnabout Intruder”, infamous though it may be, is a surprisingly fitting finale for TOS. It features the good notions and abiding themes of the 1960s show: the idea that this crew knows their captain well enough to sniff out a fake; that become a well-functioning team that can work through even the most unorthodox problems, and that after seventy-nine episodes’ worth of outlandish adventures, they remain open to new and unexpected possibilities. It also features the bad ideas and problematic elements that plagued series time and again: from a mixed-at-best perspective on women to William Shatner’s over-the-top acting. In that, the show’s final outing is an inadvertent but strangely apt swan song for the series. In its new season, Star Trek: Discovery follows in those hallowed, unexpected footsteps. This is Discovery’s fifth and final year on the air, but as reported by the cast and crew, they didn’t know that when writing or filming it until the last minute. Despite the promise of a hastily-shot coda to give the show an air of finality, that makes this last leg of Discovery’s mission an accidental ending, not unlike the one endured by the original Star Trek series. Continue Reading →