3 Best TV Shows Similar to Lord of Vermilion: The Crimson King
Knuckles
So. Knuckles the Echidna attends a Shabbat dinner. That isn't the start of a joke for an incredibly specific audience; that's the set-up for episode three of his new miniseries. Picking up where Sonic the Hedgehog 2 left him, the six-episode show follows the last of the Echidna Warriors on his epic, life-defining quest to define his life with something other than epic quests and grand battles. Knuckles trying to live his life as though his mission to protect the all-powerful Master Emerald was the alpha and omega of his existence only resulted in driving his foster mother, Maddie Wachowski (guest star Tika Sumpter), up the wall and getting himself grounded. So, after some prodding by Sonic (guest star Ben Schwartz) and the ghost of Echidna Chief Pachacamac (Christopher Lloyd), Knuckles gets down to figuring out who he wants to be and what he wants to do with his life. His new purpose? Help Green Hills' goofball deputy sheriff Wade Whipple (Adam Pally) find his dignity by teaching him the ways of the Echidna Warrior so that he might apply those ways at a national bowling championship and, through struggle and glorious victory, put some ghosts from his past to rest. Their allies? Wade's loving, world-weary mom, Wendy (Stockard Channing), and his trying-way-too-hard FBI agent sister, Wanda (Edi Patterson). Their foes? A duo of rogue GUN agents (Scott "Kid Cudi" Mescudi and Ellie Taylor) who want to sell Knuckles to a Dr. Robotnik wannabe (Rory McCann), Wade's egomaniacal bounty hunter ex-best-friend Jack Sinclair (Julian Barratt), and a champion bowler who moonlights as an utterly despicable cretin (Cary Elwes). Knuckles brandishing a rubber chicken is a lower-key moment in a gloriously goofy show. Paramount. From the jump, Knuckles is deliberately and intensely silly. Knuckles' initial stubborn devotion to his life-is-the-capital-letters-MISSION-and-nothing-else mindset becomes a vehicle for action comedy beats built on the dissonance between the inherently ridiculous image of grown men being manhandled by an anthropomorphic echidna and the fact that ridiculous or not, Knuckles is absurdly strong and, when he wants to be, creative on the battlefield. When Sonic and Tails (guest star Colleen O'Shaughnessey) convince him to try making himself at home, Knuckles certainly does. After all, what's more homey than a giant throne in the dining room and swapping the den for an Echidna fighting pit? Continue Reading →
Fallout
Few titles in the world of video game RPGs are as stylistically significant and cherished by fans as Interplay Entertainment’s Fallout. First published in 1997, the post-apocalyptic RPG has spawned countless sequels (including the acclaimed Fallout: New Vegas) and garnered millions of devoted fans through meticulous worldbuilding and its (now signature) atomic age-inspired retrofuturist aesthetic. Thanks to shows like The Last of Us proving naysayers wrong and paving the way for high-budget, critically acclaimed video game adaptations, Prime Video has joined forces with Bethesda to bring the Fallout franchise to the small screen with an eight-episode series of the same name. Bolstered by source material with a baked-in sense of aesthetics and a pair of winning leads in Ella Purnell and Walton Goggins, Fallout is a clever, twisted apocalyptic odyssey that soars as both a video game adaptation and a standalone series. Starring Purnell, Goggins, and Aaron Clifton Moten, Fallout follows Lucy (Purnell), an idealistic, sheltered “Vault Dweller” who has spent her entire life in an idyllic vault built to keep wealthy Americans happy and healthy in the event of nuclear devastation. When surface raiders disrupt her vault’s peaceful existence and kidnap her father, Lucy is forced to leave the safety of Vault 33, encountering all manner of unlikely enemies and allies along the way. Continue Reading →
Scott Pilgrim Takes Off
The ScienceSaru-produced animated series rebuilds rather than retells Bryan Lee O'Malley's beloved comic. Late in the final volume of Bryan Lee O'Malley's 2004-2010 comic series Scott Pilgrim (Scott Pilgrim's Finest Hour), once the action's done and the hateful Gideon Graves has been slain, protagonists Scott Pilgrim and Ramona Flowers take a moment to process everything. Defeating Gideon meant facing not only the vicious misogynist swordsman but also their respective character flaws (It's telling that one of Scott's key moments is his realizing just how alike he and Gideon are, and by gaining that understanding, he affirms that, yeah, Gideon has so got to die). There are a few candidates for Scott's actual finest hour in Scott Pilgrim's Finest Hour. His after-action conversation/reconciliation/renewal with Ramona is my pick. Bryan Lee O'Malley/Oni Press. As Ramona says, change is one of life's constants, which applies to Scott Pilgrim's ventures into new mediums. Edgar Wright's thoroughly enjoyable movie shifted around characters and reworked some of Scott's flaws. The colorful, impeccably soundtracked, hair-tearingly difficult Ubisoft-produced video game ramped up the goofy save for one particularly pointed ending. And now, with the Netflix animated series Scott Pilgrim Takes Off, creator O'Malley—joined by co-writer and co-showrunner BenDavid Grabinski and animation studio ScienceSaru (with episode director Abel Góngora) have changed things up yet again. Rather than retell Scott Pilgrim as it's been since 2004 (a story already told, with riffs, as a comic, movie, and video game), the creative team opts for something more radical. It's a work as much in conversation with the Scott Pilgrim that came before as an adaptation. Continue Reading →