The Latest Reviews For The Language Bulgarian

The Spool Staff

Glow

Scratch a TV fanatic, and a former lonely kid will bleed. When your everyday life is empty, and you’re not participating in those benchmarks of the “typical” teenage experience, like going to parties, playing sports, whatever, television becomes at minimum a welcome distraction, if not a refuge. Even if the worlds it shows you seem a little strange and even dangerous, at least it’s different than where you are in reality, where every day is the same and everyone just looks right through you. I’m not the target audience for Jane Schoenbrun’s I Saw the TV Glow, for a number of reasons. Yet the miracle of it, particularly for such a strange, often unsettling movie, is its empathy: even if you have no idea what it’s like to be the characters in it, you’re moved by their experiences. In less capable hands, a film as enigmatic as this, which often relies on liminal space to create its most effective moments of unease, would alienate the audience. Instead, the viewer finds themselves as pulled into what’s going on as the characters are. Opening in 1996 (with the Fruitopia vending machine to prove it), it jumps right in with seventh grader Owen (played initially by Ian Foreman) meeting the person who will change his life: ninth grader Maddy (Brigette Lundy-Payne), whom he comes across sitting by herself during a nighttime school event. Though both of them are lonely outsiders who are coded as neurodivergent (though nobody says as much, because they wouldn’t have almost 30 years ago), what draws Owen to Maddy is the book she’s reading, an episode guide for an X Files for teens TV show called The Pink Opaque. Continue Reading →

Стъклен дом

In 2019, the Walt Disney Company released Avengers: Endgame, the culmination of an 11-year-long project of crossovers, callbacks, foreshadowing, and franchising. The result was, for a time, the single highest-grossing film in cinematic history. This success seemed to mark the undisputed coronation of the superhero movie as the defining film genre of the modern era. But just a few months earlier, to quieter but not unsuccessful fanfare, another superhero film was released, one whose foundations were laid long before the Marvel Cinematic Universe's were, a film that was, in its way, an epic farewell to a cinematic universe. M. Night Shyamalan's Glass is the third and final film of his "Eastrail 177 Trilogy," a trilogy of supernatural thrillers that rely not on pyrotechnics and action but on sincere, intimate moments of character.  Continue Reading →