Trouble: Writer/Director Theresa Rebeck on Wrangling Low Budgets and Big Stars (Interview)
This piece was originally posted on Alcohollywood Novelist, screenwriter and Pulitzer-nominated playwright Theresa Rebeck is a woman of many hats – the latest of which..
INTERVIEW: Searching’s Aneesh Chaganty and Sev Ohanian on Building Suspense Through Screens
This piece was originally posted on Alcohollywood For the latest On Tap minisode, we air an interview Clint conducted for the new John Cho computer-screen..
Fantasia 2018: Lifechanger’s Justin McConnell on Shape-Shifting, Memory and Toxicity
The writer/director of Fantasia-debuting horror film Lifechanger talks about the origins of the project and getting into the mind of his film’s main monster. This..
All the Queens Horses Interview: Kelly Richmond Pope on Rita Crundwell and Documentary as Education
This piece was originally posted on Alcohollywood (This review and interview originally ran as part of On Tap’s previous run as its own separate feed...
INTERVIEW: Bruce LaBruce on The Misandrists, Pornography and Feminist Brain-Swapping
We interview queersploitation provacateur Bruce LaBruce about queer cinema, working on a low budget, and his latest feminist satire The Misandrists. This piece was originally..
La Enfermedad del Domingo: Entrevista con Ramón Salazar (Español)
This piece was originally posted on Alcohollywood (You can find an English-language version of the interview here. Read our review of the film here.) La Enfermedad..
INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller
This piece was originally posted on Alcohollywood Alcohollywood’s spinoff mini-cast On Tap returns! Every so often, we’ll be providing you with exclusive interviews, reviews and..
The Endless: Justin Benson and Aaron Moorhead on Lovecraft, Worldbuilding and the Thrills of Indie Filmmaking
Justin Benson and Aaron Moorhead discuss the high-concept suspense of their microbudget indie thriller The Endless, its connections to previous films, and the freedom of..
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