KinoKultur: The Olive Trees of Justice, Concerning Violence, Black Jack
The affect of revolution on childhood is reflected in three of Kino Lorber’s recent restorations.
The affect of revolution on childhood is reflected in three of Kino Lorber’s recent restorations.
Prime Video’s goodbye to John Krasinski’s Ryan is another season of solid spycraft storytelling.
The AppleTV+ thriller series plays like a rainy day TBS movie stretched over seven episodes.
In 1996 and the present day, the hit thriller returns both excellent and merciless.
The latest chapter of the Prime Video series puts Ryan on the run but risks little.
Johnny Knoxville spun off one of Jackass’ most indelible recurring bits into a semi-scripted road comedy with a lot of charm under the prosthetics.
Johnny Knoxville and the gang may be greyer, but their unquenchable thirst to debase themselves for our enjoyment continues unabated.
The occult horror-mystery about the survivors of a gruesome disaster captured audiences with dark humor & compelling characters.
The first two entries in the newest Welcome to Blumhouse collection are a flawed pair of scary films.
Perhaps the lowest point in Coppola’s filmography doesn’t get any better upon rewatch decades later.
The composer returns to talk about returning to the Marvel Universe and expanding on his themes for the latest Disney+ series.
Marlon Brando’s sole directorial credit is a messy but fascinating combination of Western and Freudian drama.
The blockbuster composer talks to us about his freewheeling experimentations for the Russo brothers’ latest film.
Daniel Kaluuya is sensational as freedom fighter Fred Hampton in Shaka King’s insightful sophomore feature.
Philip Seymour Hoffman stepped behind the camera one time for this thin adaptation of the Robert Glaudini play.
A grieving couple set about a dark and gruesome plan to revive the spirit of their young grandson in this creepily effective horror-comedy.
Chan’s latest collaboration with Supercop director Stanley Tong is an airless bore.
Isaac Julien’s British coming-of-age drama centers Black and Queer people in all their complexities.
Ryan Coogler’s superhero film not only salvages the colonialist origins of the comic’s imagery, it reclaims them for a Black audience.
Suranne Jones captivates as historical feminist and lesbian Anne Lister in a messy, but insightful HBO miniseries that overcomes its own stylistic crutches.
Despite a stellar cast and some good intentions, Jason Reitman’s political drama about the rise of the tabloid age does a little too much finger-wagging in the wrong direction. This piece was originally posted on Alcohollywood Watching the news can sometimes feel more like watching a drama than something informative. Headlines aim to create the … The Front Runner Review: Hugh Jackman’s Misguided Political Drama Stumbles Across the Finish Line