The Killer is dead by design, and largely for the better
David Fincher’s tale of a globetrotting assassin combines slick setpieces with economic construction.
David Fincher’s tale of a globetrotting assassin combines slick setpieces with economic construction.
Asteroid City, Metalocalypse, Impulse, Jon Moritsugu and More!
With season 5 starting this week, we attempt the fool’s errand of narrowing down the greatest episodes (so far) of the greatest sitcom.
Anderson’s latest is maybe his most reflective and curious film yet, a reflection of the ways he keeps old Hollywood forms of storytelling and acting alive.
From blood-soaked horror sequels to probing documentaries, this year’s fest has a lot to offer.
Guillermo del Toro directs a whimsical stop-motion version of the classic children’s story that packs an emotional punch.
Joanna Hogg continues the quietly moving story of a young woman’s recovery from abuse and finding solace in art.
The director’s latest volume of manicured whimsy will turn off Anderson skeptics, but it’s also one of his most vibrant, quotidian efforts to date.
We break down the movies we’re looking forward to seeing most out of this year’s hybrid festival in Chicago.
Kino Lorber releases three essential queer films from the late director Derek Jarman.
In challenging times, a movie with a talking crab can be a balm for the soul.
David Fincher’s syrupy historical fantasy is as sumptuously filmed as it is shallowly written.
Pedro Almodóvar’s adaptation of Jean Cocteau’s one-act play is an expansive, carefully constructed half-hour.
TNT’s adaptation of the French comic and Bong Joon-ho film struggles to stretch its high-concept premise across an entire series.
A rare misfire in his filmography, Jim Jarmusch’s horror-comedy is an inconsistent mess that’s neither scary or funny.
Though its glacial pacing & elliptical dialogue challenges the audience, Jarmusch’s 2009 crime thriller is its own fascinating beast.
Part deadpan comedy, part drama, and part neo-noir, Jim Jarmusch’s 2005 indie remains one of his most textured—and one of his most approachable.
Joanna Hogg tells the story of a young artists’ maturity with an airtight structure and incredible performances.
Gena Radcliffe and Beau North dig into a dozen gruesome, bloody tales of love and horror this Valentine’s Day.
This piece was originally posted on Alcohollywood Halloween season is here, which means it’s the season of the witch. The witch has long been a part of our collective unconscious, mostly in our nightmares where she tended to be a convenient scapegoat. And she continues to be a part of our culture today, albeit in … 10 Movie Witches to Hex Your Halloween
Luca Guadagnino’s disturbing, cerebral remake of the Dario Argento giallo original is an ice-hot knife to the cerebellum, its scares shrouded in terrifying mystique. This piece was originally posted on Alcohollywood It’s been three days since I’ve seen Luca Guadagnino’s Suspiria, and I still can’t get it out of my head. Two and a half … Suspiria (2018) Review: A Bone-Chilling Descent Into Existential Horror