“I May Destroy You” is a staggering work from Michaela Coel
The star of Chewing Gum returns with a riveting new series that illuminates society’s indictment of Black bodies.
The star of Chewing Gum returns with a riveting new series that illuminates society’s indictment of Black bodies.
Edson Oda’s debut feature about a group of souls looking to be born into the real world is a great premise with pretty good execution.
New Boys? New Star Trek/Wars? A Succession successor? Color us interested.
This year will play catch up with the strikes, try to revitalize or continue long-running franchises, and give directors and new and old the steam to keep filling theaters.
The best films of the year include gritty crime dramas, auteurs returning with bold new works, and quirky comedies.
After stumbling with Downsizing, Alexander Payne bounces back with a gentle & witty comedy-drama.
An often-overlooked decade for horror gets the spotlight, & we’ll tell you what to watch & what to skip.
Wheatley flirts with Tarantino-esque “cool” crime with decidedly different results.
The series closes on a heartfelt episode that nonetheless reveals flaws and disappointments.
Netflix’s new series is its most significant television success in some time.
Nintendo collaborates with Illumination Entertainment for an animated Super Mario film that’s faithful to the look of the games, but not the fun.
Michael B. Jordan makes a strong directorial debut with an intimate, thrilling tale of brotherhood gone bitter—and a stupendous action climax.
Prime Video’s traditional take on “the biggest rock band in the world’s” rise and fall succeeds on the back of strong performances.
A look back at the sweet & quirky comedy that showed a different, far less obnoxious side of Adam Sandler.
Paramount+ takes viewers back to the prison where things seem same as it ever was.
From After Yang to Top Gun, we break down our favorite movies of the year.
HBO presents a detailed, unexpectedly moving documentary on the life & times of George Carlin, comedian, wordsmith, & cynical optimist
The season’s eighth episode epitomizes the blandness that suffuses the show.
The Discovery crew eke out a long-overdue win, but the show takes too many narrative and emotional shortcuts to get there.
The Oscar-winning composer talks about peeling back the sinister layers of ’60s London for Edgar Wright’s thriller.
The latest KinoKultur offers a tale of two kitties and diminishing returns with Fritz the Cat.