Inside the weird, wild Gothic drama of V.C. Andrews movies
As Lifetime premieres a new addition to the Dollanganger Saga, we offer a crash course on what’s led us all to this.
As Lifetime premieres a new addition to the Dollanganger Saga, we offer a crash course on what’s led us all to this.
Guillermo del Toro’s criminally overlooked ode to Daphne du Maurier turns five, and it’s as potent as ever.
Antonio Campos sprawling, period-crime drama boasts an impressive cast centered around an unflinching Tom Holland performance.
The director’s sole English-language film to date is a simmering, occasionally empty exercise in Hitchcockian style.
Ti West and Mia Goth follow up their ’70s porn slasher six months prior with a bloody, fascinating mashup of Psycho and The Wizard of Oz.
Brandon Cronenberg & Chloe Domont direct stylish films about sex & violence among the bourgeoise wealthy.
From anticipated followups by acclaimed filmmakers to exciting debuts by new voices, here’s a shortlist of what to catch at this year’s fest.
Ti West’s deviously inventive porno-horror balances sick kills with an aching longing for the vagaries of youth.
From harrowing docs about COVID to Nic Cage’s latest dive into insanity, there’s a lot to look forward to at this year’s Sundance.
Autumn de Wilde’s straightforward adaptation of Jane Austen’s novel has its charming moments, but that doesn’t make up for its missed opportunities.
Luca Guadagnino’s disturbing, cerebral remake of the Dario Argento giallo original is an ice-hot knife to the cerebellum, its scares shrouded in terrifying mystique. This piece was originally posted on Alcohollywood It’s been three days since I’ve seen Luca Guadagnino’s Suspiria, and I still can’t get it out of my head. Two and a half … Suspiria (2018) Review: A Bone-Chilling Descent Into Existential Horror
A smorgasbord of Valentine’s Day shenanigans allows viewers to appreciate all the show’s humor and heart.
From After Yang to Top Gun, we break down our favorite movies of the year.
Lynne Davison directs a Shudder original that compensates with atmosphere what it lacks in plot coherence.
Hugh Jackman chases down the ghost of Rebecca Ferguson through futuristic memory tech in Lisa Joy’s ponderous, limp tech-noir pastiche.
While the first movie in the series was stylish & unexpectedly moving, it was tainted by cheap, empty sequels that forgot what made it special.
Hulu’s high brow suburban soap opera features compelling performances, but leaves the viewer cold.
Burton’s dark, misguided adaptation of Roald Dahl’s classic children’s novel ages particularly poorly among the rest of his works.
Tim Burton’s recent films are dismissed as confused (dark) shadows of his career heights, but they contain brief glimmers of the filmmaker’s return to form.
Expanding the ever-widening Conjuring universe, this origin story/prequel of one of the universe’s spookiest threats is downright silly – which may not be the worst thing. This piece was originally posted on Alcohollywood Horror is arguably the genre that is the most dependent on its predecessors; every generation of horror filmmakers tries to recapture the … Film Review: The Nun Is Campy Fun, But Relies on Some Bad Habits