The ongoing refrain of every TV critic, especially come end-of-year time: There’s too much TV. This year is no exception, with networks and streaming services alike competing for our attention with one big-budget, well-crafted set of eight-to-ten-hour stories after another. It’s the kind of model that doesn’t seem built to last, and 2022 might see … The 25 Best TV Shows of 2022
The 80’s nostalgia trip wrangles the messy, fractured season into a conclusion that somehow largely works.
Claire Oakley’s feature debut blurs the line between supernatural dread and human drama to make for a quiet queer indie. (This review is part of our coverage of this year’s SXSW Film Festival. While the festival itself is canceled, we’re still providing remote reviews for some of the independent offerings the festival would have had.) … SXSW: “Make Up” Links Drama and Horror with (Un)ease
We look back at the Argentine director’s body of work, just in time for a similar retrospective running at MoMA.
From The Assistant to Wolfwalkers, we guide you through the cinema that survived a devastating 2020 and made it to our screens — and hearts.