Quinn Armstrong’s debut is a clever riff on ’80s police training videos that sneaks in some earnest reflection on domestic violence.
Brandon Cronenberg’s second feature is a po-faced collection of genre tropes that wastes its cast and a modest sense of style.
Andra Day shines in Lee Daniels’ otherwise-messy biopic about the Black cultural icon, squandering some fine potential.
Maisie Williams is the primary reason to watch HBO Max’s black comedy series about a sheltered teen on a mission to avenge her father’s death.
Jay Baruchel’s adaptation of the 2010 comic is an ugly attempt at social commentary that lacks irony or emotion.
Jim Jarmusch’s most gentle, sentimental film finds the lyrical beauty in an everyday working class life.
The seventh annual Chicago Critics Film Festival includes a 35mm print of Alien, as well as festival faves like The Nightinggale and Yesterday.
Diving deep into Minions territory, Illumination’s revamp of the holiday classic sands off the Grinch’s hard edges and […]
This piece was originally posted on Alcohollywood The 54th Chicago International Film Festival is more than just an […]