Life comes at you fast in M. Night Shyamalan’s Old
The writer-director makes a horror film a metaphor for parenting with surprisingly resonant results.
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Werewolf by Night is a furry flashback that deserves a treat
The MCU’s most blatant flirtation with horror yet proves a winning endeavor.
Despite some stumbles, Station Eleven is worth the journey
HBO Max’s adaptation of the 2014 novel strikes a surprisingly hopeful note.
Old has lots of life but lacks growth
M. Night Shyamalan’s latest is technically well made but stretched too thin due to an overinflated ensemble and wonky pacing.
Criterion Corner: “Crash”, “Amores Perros”, “Symbiopsychotaxiplasm”
William Greaves’ avant-garde meta-doc, David Cronenberg’s work of grand theft autoerotica, and Innaritu’s dizzying debut mark this month’s Criterion entries.
With “Wasp Network,” Olivier Assayas loses his sting
Olivier Assayas’ latest is a clunky thriller that resists cinematic convention to its detriment.
Sundance 2020: “Ema” Is a Hallucinatory, Familial Fever Dream
Pablo Larraín’s neon-caked tale of a tattered family is ambitious if uneven eye candy that’s bound to get audiences talking.