Sundance 2020: “The Mountains Are a Dream That Call to Me”
Cedric Cheung-Lau’s super slow burn overdoes itself at points, but it finds its beauty—and then finds it again.
Cedric Cheung-Lau’s super slow burn overdoes itself at points, but it finds its beauty—and then finds it again.
New Boys? New Star Trek/Wars? A Succession successor? Color us interested.
One of the best series of the 20s closes on a realistically somber note, where even winning feels like losing.
Shiv & Kendall are still making deals while Roman falls apart as they bid their father a complicated farewell in the penultimate episode of Succession.
Shyamalan’s latest and a couple of Criterions about female bonds at different ages highlight this month’s new physical media releases.
The ongoing refrain of every TV critic, especially come end-of-year time: There’s too much TV. This year is no exception, with networks and streaming services alike competing for our attention with one big-budget, well-crafted set of eight-to-ten-hour stories after another. It’s the kind of model that doesn’t seem built to last, and 2022 might see … The 25 Best TV Shows of 2022
From After Yang to Top Gun, we break down our favorite movies of the year.
Kogonada’s sci-fi followup to Columbus is just as mournful and architecturally-minded as its predecessor.
This year’s best in TV took us from the furthest reaches of space to murder mysteries in small Philly towns.
Tim Story crafts a horrid live-action/animation hybrid straight out of the 2000s — fans of old-school cartoons beware.
Russell T. Davies’ miniseries that almost wasn’t is a harrowing and effective look at the joy and pain of coming of age in 1980s London.