Christopher Walken Sees Death in “The Dead Zone”
David Cronenberg’s psychological thriller stands as one of the best Stephen King adaptations of the ’80s.
David Cronenberg’s psychological thriller stands as one of the best Stephen King adaptations of the ’80s.
This year will play catch up with the strikes, try to revitalize or continue long-running franchises, and give directors and new and old the steam to keep filling theaters.
From De Palma’s series launcher on, Cruise has used the tales of Ethan Hunt to ponder the nature of cinema as performance, perception, and manipuation.
The dark comedy squanders skilled performers on serviceable laughs.
Miles Morales’ second venture into the multiverse is thrilling, thematically dense, and above all else, a GORGEOUS work of animation.
The composer and multi-instrumentalist breaks down her latest scores for the Nat Geo drama and the dark, steamy NEON rom-com.
The Disney flop from its struggle era remains a compelling curiosity 40 years later.
“Guns for Hire” sends Din and Bo-Katan on a police procedural side-quest while Grogu has a day off and more Mandalorians join the fray.
The first of M. Night Shyamalan’s Eastrail 117 trilogy frustrates with its approach to superhero comics as a medium but excels in its drama-and-thrillcraft.
Time-tested tropes mixed with contemplative tales and a strong cast liven this new throwback.
Armed with $40 million worth of drones and Jake Gyllenhaal, the action auteur delivers one of his most relentlessly entertaining exercises in cinematic excess.
Master filmmaker Jane Campion’s first theatrical picture ably demonstrates both her formal mastery and her precise character work.
The composer discusses her big solo break for George Clooney’s awards-season drama.
The “nothing but warts” portrayal of Joan Crawford turns 40, & remains an eye-popping display of pathos, kitsch & unintended hilarity.
Based on the popular podcast, the 8-part Peacock series successfully combines mystery with medical drama.
Anthony Perkins – Norman Bates himself – steps behind the camera to make a morbidly funny and surprisingly moving Psycho sequel.
B.L. Panther considers two of James Ivory’s studies of queer life in the late 19th and early 20th centuries.
Black issues are front and center, from reckonings with racist violence to broader discussions of the history of America’s prejudice.
While the documentary about legendary rapper Biggie Smalls is somewhat lacking, the occasional insider’s look at his all-too-short life makes it worthwhile.
Jerrod Carmichael’s feature debut straddles a delicate balance of tones between comedy and dark thriller, buoyed by a couple of strong performances.