Three decades later, Bill Murray’s dark turn on Ebenezer Scrooge remains as adored by its fans as it was a nightmare to make. This piece was originally posted on Alcohollywood In December of 2015, Netflix aired A Very Murray Christmas, an original holiday special hosted by Bill Murray, who at some point in the past fifteen … Scrooged at 30: How Bill Murray Turned A Christmas Carol On Its Head
We ain’t afraid of–or laughing at–no ghosts in Sony’s frosty attempts at reviving the franchise.
Our God of Mischief finally realizes his “Glorious Purpose.”
Anderson’s latest is maybe his most reflective and curious film yet, a reflection of the ways he keeps old Hollywood forms of storytelling and acting alive.
Zac Efron and Russell Crowe star in a paltry brew of a Vietnam comedy that expects a pat on the back for effort.
The director’s latest volume of manicured whimsy will turn off Anderson skeptics, but it’s also one of his most vibrant, quotidian efforts to date.
Ted Lasso’s Season 2 Finale choices for Roy and Keeley still baffle, but everything else comes together in this strong closer.
The Survivor wastes Ben Foster and Vicky Kreips in an overfamiliar prestige drama that botches its approach to the Holocaust.
From The Assistant to Wolfwalkers, we guide you through the cinema that survived a devastating 2020 and made it to our screens — and hearts.
Sofia Coppola’s latest is a wry, disarming look at our need for love and the willful ignorance it leads to.
Something of an unsung classic, Tony Bill’s directorial debut precedes and exceeds its John Hughes peers of the era.
A rare misfire in his filmography, Jim Jarmusch’s horror-comedy is an inconsistent mess that’s neither scary or funny.
Though its glacial pacing & elliptical dialogue challenges the audience, Jarmusch’s 2009 crime thriller is its own fascinating beast.
Part deadpan comedy, part drama, and part neo-noir, Jim Jarmusch’s 2005 indie remains one of his most textured—and one of his most approachable.
Jim Jarmusch’s laidback anthology of fateful celebrity meetings lays bare the communal value of commodity.
The comedian’s gentle parody of children’s television boasts charming performances and catchy Broadway-style tunes.
Cheap, creaky jokes and overstimulated filmmaking plague a too-late sequel no one asked for.
A look back at the hype, the controversies & the music of Tim Burton’s take on the Caped Crusader.NOW STREAMING: Powered by JustWatch Gather round, children, while I tell you of a time when you couldn’t buy movie tickets in advance. Like Philistines, we had to stagger, wild-eyed and hopeful, up to the window of … “Stop the Press, Who is That?”: Batman at 30
Burton’s most deeply personal film is his humanistic, black-and-white celebration of the Worst Filmmaker of All Time.
Wes Anderson’s latest stop-motion confection is as meticulously constructed and dryly sweet as his previous filmography, even with the extremely complicated questions it raises about appropriation and race. This piece was originally posted on Alcohollywood By now, the Wes Anderson brand is firmly established to the point where even parodying him is old hat. Everyone … REVIEW: Isle of Dogs
From aliens to vampires, this year’s TV offered bittersweet goodbyes to acclaimed shows and bold debuts from new voices.