The Haunting of Hill House: Netflix Adapts Shirley Jackson’s Novel, Loses Some of Its Essence

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The Haunting of Hill House: Netflix Adapts Shirley Jackson’s Novel, Loses Some of Its Essence

Netflix’s adaptation of the classic Shirley Jackson horror novel boasts a brilliant cast and some intriguing scares, but disappointingly reduces the book to a spooky soap opera. This piece was originally posted on Alcohollywood To ask “why was this made” when it comes to a remake or reboot is to be rhetorical – the answer ... The Haunting of Hill House: Netflix Adapts Shirley Jackson’s Novel, Loses Some of Its Essence

The House with a Clock in its Walls Review: Eli Roth Tries (and Succeeds) at Spooky Kid’s Fare

Fresh off a string of failed horror flicks, Eli Roth bounces back with an unexpectedly fun, faithful adaptation of John Bellairs’ classic kid’s adventure books. This piece was originally posted on Alcohollywood The prospect of grindhouse provocateur Eli Roth directing a four-quadrant kid’s flick is a dicey, but fascinating one – yet here we are ... The House with a Clock in its Walls Review: Eli Roth Tries (and Succeeds) at Spooky Kid’s Fare

A Simple Favor Review: Paul Feig’s Comedy-Thriller Is a Riotous Look at Female Agency

A bold, brassy take on Gone Girl, Paul Feig’s mommy-vlogger noir allows Anna Kendrick and Blake Lively to smash the patriarchy in some fascinating ways. This piece was originally posted on Alcohollywood You have to admire the bravery of a film that all but tells you what it’s about. At no point does A Simple ... A Simple Favor Review: Paul Feig’s Comedy-Thriller Is a Riotous Look at Female Agency

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The Spool is an irreverent, informative source for film and television coverage, focused on diverse, thoughtful opinions that seek out a greater understanding of the media we love.

Film Review: The Nun Is Campy Fun, But Relies on Some Bad Habits

Expanding the ever-widening Conjuring universe, this origin story/prequel of one of the universe’s spookiest threats is downright silly – which may not be the worst thing. This piece was originally posted on Alcohollywood Horror is arguably the genre that is the most dependent on its predecessors; every generation of horror filmmakers tries to recapture the ... Film Review: The Nun Is Campy Fun, But Relies on Some Bad Habits

Interviews

INTERVIEW: Searching’s Aneesh Chaganty and Sev Ohanian on Building Suspense Through Screens

This piece was originally posted on Alcohollywood For the latest On Tap minisode, we air an interview Clint conducted for the new John Cho computer-screen thriller Searching – about a frantic father searching for his missing daughter by going through the clues on her laptop! Clint sits down with Searching director Aneesh Chaganty and producer Sev Ohanian ... INTERVIEW: Searching’s Aneesh Chaganty and Sev Ohanian on Building Suspense Through Screens

Film Review: Searching Is a Riveting, Screens-Only Missing Persons Thriller

Anchored by a layered lead turn from John Cho, Aneesh Chaganty’s screens-only thriller explores the formal implications of laptop cinema in new and exciting ways. This piece was originally posted on Alcohollywood (We previously reviewed Searching in our coverage of the Chicago Critics Film Festival. Read our capsule review.) While ‘laptop cinema’ films like Unfriended and Open Windows are becoming ... Film Review: Searching Is a Riveting, Screens-Only Missing Persons Thriller

Film Review: Kin Misfires With Egregious Sci-fi Sequel Baiting

Jack Reynor keeps his brother and his big-ass gun safe in this tepid late-August shoot-em-up, its characters as mild as its ambitions. This piece was originally posted on Alcohollywood Detroit has had a bit of a film renaissance in the 2010s, so much so that the city could be classified as its own sub-genre itself. ... Film Review: Kin Misfires With Egregious Sci-fi Sequel Baiting

Features

35 Years Later, Cujo Remains a Scary, Shaky Stephen King Adaptation

Lewis Teague’s adaptation of Stephen King’s Cujo turns thirty-five today, and is a perfect example of the thrills and pitfalls experienced by the average King film adaptation. This piece was originally posted on Alcohollywood August marks 35 years since the release of the movie adaptation of Stephen King’s Cujo. A modest hit at the box ... 35 Years Later, Cujo Remains a Scary, Shaky Stephen King Adaptation

The Meg is the Goofiest, Cheesiest, Most Sharktastic Fin-tertainment of the Summer

The shark schlock comes at you hard, fast, and fun, as Jason Statham battles giant sharks with an international cast in the Deep Blue Sea remake you never knew you needed. This piece was originally posted on Alcohollywood Why release The Meg two entire weeks after Shark Week is over? It’s a perfect fit – ... The Meg is the Goofiest, Cheesiest, Most Sharktastic Fin-tertainment of the Summer

Fantasia 2018

Fantasia 2018: Hurt Is Blumhouse’s Latest, Spookiest, Most Uneven Scare-Fest

Blumhouse’s latest thriller is tense and deceptively clever, but undoes its thrills with no shortage of irritating fakeouts. This piece was originally posted on Alcohollywood Trauma appears to be the monster in Sonny Mallhi’s Hurt, but things aren’t exactly as they seem. While the Blumhouse-produced thriller maintains an almost uncomfortable sense of tension, it suffers ... Fantasia 2018: Hurt Is Blumhouse’s Latest, Spookiest, Most Uneven Scare-Fest

Fantasia 2018

Fantasia 2018: The Witch in the Window Scares Without a Drop of Blood

Andy Milton’s atmospheric haunted house film is inscrutably scary and beautifully lit, balancing bone-chilling existential horror with compelling domestic drama. This piece was originally posted on Alcohollywood Here it is, 2018’s version of The Witch and It Follows, a horror movie in which half its audience will appreciate its slow, moody burn, and the other ... Fantasia 2018: The Witch in the Window Scares Without a Drop of Blood

Fantasia 2018

Unfriended: Dark Web Elevates Its Premise to Scarier Screen-Based Dimensions

The web-footage sequel to the first Unfriended sees the series move in more believably conventional directions, eschewing supernatural scares for more haunting domestic terrors. This piece was originally posted on Alcohollywood We live in an age of overwhelming technology. Most of us spend most of day in the digital world, our computers becoming individual microcosms ... Unfriended: Dark Web Elevates Its Premise to Scarier Screen-Based Dimensions

Fantasia 2018

Fantasia 2018: Blue My Mind Is a Different Kind of Mermaid Story

Lisa Brühlmann’s Swiss coming-of-age mermaid tale is admirably shot and performed, but inadvertently hews too closely to similar teen-horror dramas of recent years. This piece was originally posted on Alcohollywood It’s almost a shame that Lisa Brühlmann’s Blue My Mind came out so close on the heels of Julia Ducournau’s Raw. One of the freshest, ... Fantasia 2018: Blue My Mind Is a Different Kind of Mermaid Story

Interviews

All the Queens Horses Interview: Kelly Richmond Pope on Rita Crundwell and Documentary as Education

This piece was originally posted on Alcohollywood (This review and interview originally ran as part of On Tap’s previous run as its own separate feed. We’re re-running it here in conjunction with All the Queen’s Horses’ release on Netflix.) This week for our On Tap minisode, Clint discusses the new indie doc from Kartemquin, All the ... All the Queens Horses Interview: Kelly Richmond Pope on Rita Crundwell and Documentary as Education

Fantasia 2018

Four Crazy Horror Flicks We Want to See at Fantasia

This piece was originally posted on Alcohollywood If you want festivals full of soulful contemplation of the human condition, and solemn documentaries about Serious Issues, Cannes and Sundance have you covered. Want to see blood, gore, sleaze, and Nicolas Cage getting in a chainsaw fight? You go to Fantasia. Fantasia is a genre film festival ... Four Crazy Horror Flicks We Want to See at Fantasia

Incredibles 2 Review: A Sneakily Regressive Message Under All That Fun

Brad Bird’s 2018 sequel offers more of the same superhero fun as the original, but brings along some of its more pernicious politics. This piece was originally posted on Alcohollywood I admit, I enjoyed the first Incredibles movie. Who couldn’t? It had great action, heart, and humor, with all the emotional resonance Pixar has become ... Incredibles 2 Review: A Sneakily Regressive Message Under All That Fun

Hereditary Review: A24 Keeps Haunting, Existential Horror in the Family

A24 continues its mean streak of unrelentingly interesting horror films, merging The Exorcist, The Witch and The Shining into pure cinematic nightmare fuel. This piece was originally posted at Alcohollywood From its opening frames, Hereditary digs its claws into you and doesn’t let go. A long, slow tracking shot pans across the workroom of Annie ... Hereditary Review: A24 Keeps Haunting, Existential Horror in the Family

Interviews

INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller

This piece was originally posted on Alcohollywood Alcohollywood’s spinoff mini-cast On Tap returns! Every so often, we’ll be providing you with exclusive interviews, reviews and festival coverage alongside the regular podcast. Hope you enjoy! To kick off our (semi-) inaugural installment, Clint reviews Leigh Whannell’s upcoming sci-fi thriller Upgrade. After losing his wife and the use ... INTERVIEW: Upgrade’s Leigh Whannell on Crafting the Futuristic World of BH Tilt’s Latest Thriller

Festivals

Chicago Critics Film Festival 2018: Capsule Reviews (Part 3)

Now that the 6th annual Chicago Critics Film Festival has closed, it’s time to look back on some other highlights we loved this year. This piece was originally posted on Alcohollywood The 6th annual Chicago Critics Film Festival has come to a close, and what a year it was! Curated by the Chicago Film Critics ... Chicago Critics Film Festival 2018: Capsule Reviews (Part 3)

Anon Review: Netflix’s Dystopian Thriller Leans Too Hard on Tech

Netflix’s latest original film (courtesy of Gattaca’s Andrew Niccol) gets bogged down in its near-future technology, and forgets to stick the landing. This piece was originally posted at Alcohollywood Netflix’s latest dystopian thriller Anon is the sort of movie bound to elicit a litany of questions pertinent to our daily lives. How much do we ... Anon Review: Netflix’s Dystopian Thriller Leans Too Hard on Tech

Festivals

A Preview of the 2018 Chicago Critics Film Festival

The Chicago Film Critics Association’s 6th annual film festival (May 4-10) features some of the year’s best films that might otherwise fly under your radar. This piece originally posted at Alcohollywood For the past six years, the Chicago Critics Film Festival has been a brilliant showcase for some of the year’s most intriguing, bewildering and ... A Preview of the 2018 Chicago Critics Film Festival

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