Revisiting “The Watermelon Woman”, Cheryl Dunye’s Refreshingly Disruptive Directorial Debut
A pioneering work of Black Queer Cinema, Cheryl Dunye's vibrant "Dunye-mentary" reckons with traditional queer narratives and the racism of Old Hollywood.
“I’m Not a Girl”: Janet, Nonbinary Representation and “The Good Place”
D'arcy Carden's Janet continues to be one of The Good Place's best characters, but her status as unlikely nonbinary icon brings up a few narrative wrinkles.
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