The JJ Abrams-produced Nazi zombie flick provides plenty of schlock and scares, but stumbles over its own rotting feet when it reaches for profundity. This piece was originally posted on Alcohollywood If Indiana Jones has taught us anything, it’s that Jehovah starts with a ‘Y’ and there’s nothing more satisfying that watching someone kick the ... Overlord Review: Nazi Zombie Shoot-Em-Up Is Fast and Furhrer-ious
Lisbeth Salander returns, this time played by Claire Foy, in a slick but shallow sequel that trades in the series’ nuance for Bond-ian action. This piece was originally posted on Alcohollywood Pre-screening chatter before The Girl in the Spider’s Web all seemed to center on the same questions: “What happened in the last movie?” “Is ... The Girl in the Spider’s Web Review: Lisbeth Slander gets an action hero makeover
Diving deep into Minions territory, Illumination’s revamp of the holiday classic sands off the Grinch’s hard edges and turns him into a blandly grumpy uncle. This piece was originally posted on Alcohollywood The billboards for Dr Seuss’ The Grinch feature the eponymous antihero dishing out insults to the viewer. From the ads, you would think that ... Dr Seuss’ The Grinch Review: Illumination’s Slick Remake is Two Sizes Too Bland
We talk to star/writer McKenzie Chinn, director Gregory Dixon, and actor Charles Andrew Gardner about their vibrant, Chicago-set indie about a young woman navigating her thirties. This piece was originally posted on Alcohollywood As we continue to wrap up our coverage of the Chicago International Film Festival, it’s important to take a look at some ... Olympia’s Cast and Crew on Capturing Millennial Malaise in Chicago (Interview)
An all-star cast, including Lucas Hedges, Nicole Kidman and Russell Crowe, bring a serious issue for the GLBTQ community to a broader audience. This piece was originally posted on Alcohollywood Based on the 2016 memoir of the same name by Garrard Conley, Boy Erased is the emotional journey of teenager Jared Eamons (Lucas Hedges) through ... Boy Erased Review: Joel Edgerton Exposes the Malpractice of Conversion Therapy
David McKenzie reunites with Chris Pine for a Braveheart-esque historical epic that plays out more like a filler episode of Game of Thrones. This piece was originally posted on Alcohollywood Before you read any further, know this: yes, Chris Pine does hang dong in Outlaw King. For a certain subset of the population, this may ... Outlaw King Review: Chris Pine Frees Scotland in Tepid Historical Drama
This piece was originally posted on Alcohollywood Halloween season is here, which means it’s the season of the witch. The witch has long been a part of our collective unconscious, mostly in our nightmares where she tended to be a convenient scapegoat. And she continues to be a part of our culture today, albeit in ... 10 Movie Witches to Hex Your Halloween
The first-time filmmaker and the veteran actor sit down to talk about Chomko’s experiences with Alzheimer’s in her own family, the switch from studio to auteur filmmaking, and more. This piece was originally posted on Alcohollywood While dysfunctional family dramas are arguably a dime a dozen, Elizabeth Chomko’s Chicago-centric debut What They Had stands out substantially ... What They Had: Elizabeth Chomko and Robert Forster on Crafting Sensitive Family Drama (Interview)
The Wachowskis’ seminal sci-fi trilogy hits 4K today ahead of the first Matrix’s 20th anniversary. In honor of that, we take a look back at the much-maligned Matrix sequels and their intriguing ability to build upon (and even subvert) the themes of the first. This piece was originally posted on Alcohollywood The Matrix movies are some ... How the Matrix Sequels Expanded the Wachowskis’ Universe By Humanizing its Villains
The documentarian talks about the relationship between art and money, the over-the-top personalities of high-powered art collectors, and what happens when artists have to commodify themselves. This piece was originally posted on Alcohollywood The world of contemporary art is a wild, wild thing – millionaires bidding incredible amounts of money to collect works from modern ... The Price of Everything: Nathaniel Kahn on the Intersection Between Art and Commerce (Interview)
This piece was originally posted on Alcohollywood Let me rephrase that right from the beginning. This list really should be “10 Horror Movies for People Who Normally Aren’t Into Horror Movies, But Might Be Willing to Give Them a Shot,” but that’s just too long for a title. Horror is the genre most often forced ... 10 Horror Movies For People Who Don’t Like Horror
While Bryan Singer’s biopic takes some uncomfortable liberties with Freddie Mercury’s life, Malek’s eye-catching performance elevates the proceedings into a rocking ride. This piece was originally posted on Alcohollywood In a pivotal scene in Bohemian Rhapsody, Freddie Mercury (Rami Malek) tells his manager and future lover, Paul (Allen Leech) that he doesn’t know who he ... Bohemian Rhapsody Review: Malek’s Mercury Will Rock You, Its Queer Politics Less So
Luca Guadagnino’s disturbing, cerebral remake of the Dario Argento giallo original is an ice-hot knife to the cerebellum, its scares shrouded in terrifying mystique. This piece was originally posted on Alcohollywood It’s been three days since I’ve seen Luca Guadagnino’s Suspiria, and I still can’t get it out of my head. Two and a half ... Suspiria (2018) Review: A Bone-Chilling Descent Into Existential Horror
The latest mid-budget Gerard Butler vehicle might thrill those who clamor for the return of the 90s submarine thriller, but doesn’t offer much else. This piece was originally posted on Alcohollywood While the film and television industry is deep in the throes of nostalgia, it’s strange to see the submarine thriller – one of the ... Hunter Killer Review: Gerard Butler Sinks In this Throwback Sub Thriller
While it’s patently hungry for awards, Melissa McCarthy’s biopic of infamous letter forger Lee Israel is compelling and darkly accessible, with some great supporting turns from Richard E Grant and Jane Curtin. This piece was originally posted on Alcohollywood Oscar baiting: we know it when we see it, and Can You Ever Forgive Me? is ... Can You Ever Forgive Me? Review: Melissa McCarthy Compels in Awards-Hungry Journalism Drama
This piece was originally posted on Alcohollywood In my last post I suggested that the unofficial theme for the 2018 Brooklyn Horror Film Festival is “horror is whatever you want it to be.” With that expansion of themes and ideas comes a flexibility in using both real life issues and fantasy to create something new ... Brooklyn Horror Film Festival Dispatch, Part 2: Level 16, Rusalka
This piece was originally posted on Alcohollywood The Chicago International Film Festival keeps chugging along this week, and so does our coverage. From upcoming big indie films to smaller local works, to foreign films that may never see mainstream distribution here, CIFF is a great time to stock up on works you may not get ... CIFF Dispatch, Part 2: What They Had, Retablo, Maria By Callas, and More
This piece was originally posted on Alcohollywood As horror continues its gradual moving away from traditional monsters and slashers to rawer, more unsettling scares that are COMING FROM INSIDE THE HOUSE, we can look forward to more internet discourse about whether a movie qualifies as “horror.” This requires the sort of pedantry that is the ... Brooklyn Horror Film Festival Dispatch, Part 1: Tower. A Bright Day, Empathy, Inc., Antrum
This piece was originally posted on Alcohollywood The 54th Chicago International Film Festival is more than just an amped-up pledge drive for Cinema/Chicago – it’s a huge showcase for some of the biggest, most interesting films of the year, foreign or domestic. It’s always a treat to cover – I spent two years as a ... CIFF 2018 Dispatch, Part 1 (Feat. Interview w/Felix van Groeningen)
While Theresa Rebeck’s low-budgeted rural hangout comedy sports a fine cast, they can’t quite elevate the proceedings beyond the occasional modest laugh. This piece was originally posted on Alcohollywood Movies that are remembered are generally on a spectrum of cinematic triumph to shoddy exercise for an inexperienced rube’s hubris. Then there are the films that ... Trouble Review: A Modest Small-Town Dramedy With an Overqualified Cast
Netflix’s latest creep-fest is a schlocky bore filled with predictable twists and some dodgy performances, though it’s mitigated with some genuine visual style. This piece was originally posted on Alcohollywood “Horror isn’t easy” is probably one of the greater understatements in the history of film. Sure, it’s easy to crank out an hour and a ... Malevolent Review: Netflix’s Latest is Stylish and Sloppy in Equal Measure